"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. This was a transaction that Fleda, after a moment, had to give up trying to represent to herself. "If she won't do that—?" she went on.!

"Whatever we hear, I must go." As the cab went on she added: "But I needn't drag you to the station." "Then if anything has come of it here, it has come precisely of just four. That's literally, by the inventory, all there are!" said Mrs. Gereth.

"But what to do?" "What you always do—to see what he wants." Mrs. Gereth dismissed the maid. "Tell him Miss Vetch will come." Fleda saw that nothing was in the mother's imagination at this moment but the desire not to meet her son. She had completely broken with him, and there was little in what had just happened to repair the rupture. It would now take more to do so than his presenting himself uninvited at her door. "He's right in asking for you—he's aware that you're still our communicator; nothing has occurred to alter that. To what he wishes to transmit through you I'm ready, as I've been ready before, to listen. As far as I'm concerned, if I couldn't meet him a month ago, how am I to meet him to-day? If he has come to say, 'My dear mother, you're here, in the hovel into which I've flung you, with consolations that give me pleasure,' I'll listen to him; but on no other footing. That's what you're to ascertain, please. You'll oblige me as you've obliged me before. There!" Mrs. Gereth turned her back and, with a fine imitation of superiority, began to redress the miseries immediately before her. Fleda meanwhile hesitated, lingered for some minutes where she had been left, feeling secretly that her fate still had her in hand. It had put her face to face with Owen Gereth, and it evidently meant to keep her so. She was reminded afresh of two things: one of which was that, though she judged her friend's rigor, she had never really had the story of the scene enacted in the great awestricken house between the mother and the son weeks before—the day the former took to her bed in her over-throw; the other was, that at Ricks as at Poynton, it was before all things her place to accept thankfully a usefulness not, she must remember, universally acknowledged. What determined her at the last, while Mrs. Gereth disappeared in the shrubbery, was that, though she was at a distance from the house and the drawing-room was turned the other way, she could absolutely see the young man alone there with the sources of his pain. She saw his simple stare at his tapestries, heard his heavy tread on his carpets and the hard breath of his sense of unfairness. At this she went to him fast. Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!"